This series of images shows the location of already realized sculptures in fictitious landscapes and spaces, freed from economic and practical constraints, they function as a kind of guardian spirit of a new way of life, in a hermitage on a mountain top, or in inaccessible post-capitalist enclaves within the city.In some cases, they have real-life models - for example, the battle tower in Vienna's Augarten park becomes a sublime vanishing point of enraptured living with the water sculpture "Yin Yang Machine" - a utopian place that belongs to the urban space as much as it is removed from it, and the inlet structure to a reservoir of the Vienna waterworks in Johann Staud Strasse presents itself (high above the panel architecture of a desolate office and commercial zone) as a refuge for a loose community, whose existence is confirmed by a bronze head constantly spewing water.The rigorous exploitation of all real estate and the commercialization of public space creates a longing for the last urban open spaces: these are wastelands, precarious places, overgrown or dark, not yet functionalized buildings and terrains that are doomed to disappear and therefore shine.