
Real change doesn't come from spectators,
but from actors.
GreenART: art as a fig leaf or a real catalyst?
Sustainability has long been a must in business, an essential factor in politics, but in art? Often a fig leaf. A green coat of paint for a world that continues as before. Art can appeal, can illustrate, can be beautiful - as long as it doesn't get in anyone's way.
This is exactly where BURN-IN comes in. "SDGs at the Focus of Art" is not an alibi event. It's not a gathering place for art that "also does a bit of sustainability". Rather, it is a laboratory in which to test what happens when art not only shows, but intervenes.
Ecology, society, economy, culture. The four pillars are there - but what is being built on them?
A system without art is a system without reflection. The four pillars - ecology, society, economy, culture - support the world, but they are not static. They are under pressure, changing, struggling for balance. The 17 Sustainable Development Goals (SDGs), launched by the United Nations in 2015, are the compass that provides direction. But how do goals become movement? Art intervenes in the mechanism. It makes visible what remains hidden, connects where systems divide, provides impetus where routines paralyze. GreenART is the catalyst. Not an accessory, not a backdrop, but the lever that brings sustainability from theory into practice.
SDGs - 17 Sustainable Development Goals of the UN
ART CAN BE MORE THAN A CULTURE. BUT DOES IT WANT TO BE?
A black basalt building. A waterfall that roars and eats its way through the structure. Ecology, society, economy, culture. Four pillars. A foundation that holds - or is already starting to shake?
Sonja Dolzer, Managing Director and BURN-IN founder
The GreenART exhibitions to date are just the beginning - they show how art not only addresses sustainability, but actively helps to shape it. Whether in our gallery spaces, in companies or in unexpected places: GreenART creates connections, questions systems and opens up new perspectives on a sustainable future.